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Celia is a multi-media artist based in Tujunga, California.  She holds degrees in both  Graphic Arts and Fashion Design.  Integrating her working experience in both fields, she has focused a significant portion of her energy on  the art of Vodoun... including banners, altars and ritual objects.  Beyond her passion for Vodoun, she has created many pieces in varied media that speak to the issues of women, war and the environment.  Aside from her goal of creating the perfect native garden, Celia is an avid collector of all things Mid-Century.

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"Santa Has Left the Building” 2009

Mixed Media with vintage Christmas items

My sister’s restaurant was called the Cup and Saucer. During the ten years she was running her business, she didn’t just burn the candle at both ends. She burned it from all sides at once. Famous for her holiday cookies, she worked especially hard each year before Christmas. It was her passion and her life. She was deeply and secretly saddened when she had to close the restaurant last year.

This piece is based on a vintage NOMA electric light and box. The plastic Santa shell had melted away, leaving only the metal backing and an electric candle which still worked until I cut the cord.

We lost my sister in November to a sudden liver ailment. Now her spirit has been released to fly like a bird “over the rainbow.” All that is left is a hole in our family and a shadow across the chair where she sat. Our lives have been turned inside out.

Goodbye, Cindy.

Exhibited at the Brickton Art Center   Park Ridge, IL  January 16-February 20, 2010

      

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"Never Can Say Goodbye" 2008

Mixed Media with vintage Christmas items

 

I make art for therapy and magic. I made this piece because I needed to introduce flow into my life.

Anxiety disorder and ADHD run in my family.  I believe I have borderline Hoarding Disorder along with my Anxiety Disorder. I am a compulsive shopper with Obsessive Christmas Disorder. I spend a lot of time at estate sales and flea markets.

  This woman was helping with her mother’s moving sale. I picked up these worn animal figures. “You’re selling those?” She cried to her mother.  I asked if she wanted to keep them.  I offered more money.  She wanted her mother to keep them for her.  There was no place in her crowded life to keep them safe. “Just don’t sell them on Ebay” she said.

One of the reasons people give for hoarding is to remember. In our memory, the glitter is brighter than on the actual cheap, worn goods from Japan or China. This piece is styled after paper houses from the 1940’s and 50’s. Unsafe, imperfect, the real glass glitter can wound.

Christmas at my mother’s house is always special but very intense. All the children, grandchildren are present. I have only missed one Christmas in 51 years, but I choose to live apart. The contrast between the intimacy of the family Christmas and my daily life is sometimes too much to bear.

There are other stories, but they are best left to the language of symbols for now.

Goodbye.

Exhibited at the Greenleaf Art Center , Chicago December 5, 2008-January 9, 2009

 


"Dowry” 2007

Mixed media with doll

12”W x 14”H x 1”D

 

I told this doll that “she could look like a million bucks if she just fixed herself up.” In dressing her, I meditated on the meaning of culturally defined sexual attractiveness.

 

Throughout history, the dowry she came with set a woman’s value. In some cultures coins were hung on the bridal costume. Virgins were prized to insure inheritance lines. Minor girls were sold to wealthy suitors. Bound feet and genital mutilation made young girls a more suitable match. Forced marriages and bride prices imply physical control not only over a woman’s body, but also her whole life experience. As with slavery, the violence is implied, only used when the individual refuses to play the dictated role.

 

In modern times, white gowns, debuts, and Quinceanera are but faint reflections of these ancient customs. Today, our worth is often set by our superficial attributes. We look in the mirror and adjust our self worth based on what we see there.

 

Exhibited at the   Future Studio Gallery  through Saturday, September 29th, 2007

 


"Sediment" - 2007. 

Mixed media vessel embellished with found plastic artifacts and vintage beads

Ever since I began researching the decline of world oil production, I have developed a nostalgia for all things plastic.  As children of Mid-Century America, we have been taught that plastics would last forever.  I am fascinated with the natural degradation of plastic...the way it can break down rather quickly when exposed to the elements, especially in Southern California.

"Sediment" - multimedia, flatview

 


"The Seer (El Caro)" 

Hand sewn puppet with doll head

This Fortune Teller is a seer with the power of El Caro and the Mano Panthea.

She can foretell the future because she sees and remembers all.

She can only speak the truth.

Exhibited at the Arroyo Arts Collective Puppets On The Wall, Acorn Gallery, May/June, 2007.

"The Seer"

 


OYA,Thy Name is Justice

Piece submitted to the Interweave Press....   Interweave Press - "OYA" 





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